To create this ring in solid silver 925/1000 (25.90 grams) I used the technique of lost wax casting. diams 0.10 carat

Before becoming a jewel I sculpted it entirely in wax using as a single tool a saw using each time a different cutting angle, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

At the start of this creation I stretch the metal to form an oval plate, then I fold to shape, finally I bend the strip obtained to make a ring.

For the finishes, a beautiful hammered and an aged patina highlighting the hollows and roughness of these jewels.

This ring in 925/1000 silver (9.7 grams) was born from this idea. An idea that allowed me to create a simple, light 1.5 cm wide ring despite its massive appearance that I think will be perfect for those who do not like signet rings that are too heavy but who appreciate rings that are imposing.

At the start of this creation I stretch the metal to form an oval plate, then I fold to shape, finally I bend the strip obtained to make a ring.

For the finishes, a beautiful hammered and an aged patina highlighting the hollows and roughness of these jewels.

This ring in 925/1000 silver (9.7 grams) was born from this idea. An idea that allowed me to create a simple, light 1.5 cm wide ring despite its massive appearance that I think will be perfect for those who do not like signet rings that are too heavy but who appreciate rings that are imposing.

To create this ring in solid 925/1000 silver (38.6 grams) and Cat's Eye.

Before becoming a piece of jewelry, I sculpted it entirely in wax using a saw and a crack cutter as the only tool, each time with a different cutting angle, I created different layers in order to cast it in silver.

I then applied the patina so that my work had even more relief.

To create this ring in solid 925/1000 silver (39.6 grams) and Malachite.

Before becoming a piece of jewelry, I sculpted it entirely in wax using a saw and a crack cutter as the only tool, each time with a different cutting angle, I created different layers in order to cast it in silver.

I then applied the patina so that my work had even more relief.

Here is a small series of rings available in several hammering styles.

They were created in the origami style.

At the start of my creations I stretch the metal to form an oval plate, then I fold the two sides to shape the edges, finally I bend the resulting strip to make a ring.

For the finishes, a beautiful hammered and an aged patina highlighting the hollows and roughness of these jewels.

This 925/1000 silver ring (14.2 grams) was born from this idea. An idea that allowed me to create a simple, light 1.7 cm wide ring despite its massive appearance that I think will be perfect for those who do not like heavy signet rings but who appreciate rings that are imposing.

Here is a small series of rings available in several hammering styles. They were created in the origami style.

At the start of my creations I stretch the metal to form an oval plate, then I fold the two sides to shape the edges, finally I bend the resulting strip to make a ring.

For the finishes, a beautiful hammered and an aged patina highlighting the hollows and roughness of these jewels.

This 925/1000 silver ring (15.8 grams) was born from this idea. An idea that allowed me to create a simple, light 1.7 cm wide ring despite its massive appearance that I think will be perfect for those who do not like signet rings that are too heavy but who appreciate rings that are imposing.

Ring in 925/1000 silver (37.6 grams) and Opal (1.55 carats)

Before becoming a jewel, I sculpted it entirely in wax using only a saw and a crack cutter with a different cutting angle each time, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

To create this ring in solid silver 925/1000 (37.6 grams) and Opal (1.55 carats)

Before becoming a jewel I sculpted it entirely in wax using as only tool a saw and a crack cutter with each time a different cutting angle, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Ring in 925/1000 silver (29.4 grams) and Opal (3.05 carats)

Before becoming a jewel, I sculpted it entirely in wax using only a saw and a crack cutter with a different cutting angle each time, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

An Opal of (0.83 carat) and three Rubies of (0.57 carats) highlight this creation in solid silver 925/1000 (16.4 grams).

In the same creative vein as all my creations, this piece is unique, rather fine and feminine, which completes my creative universe, often raw and more massive.

Working metal combined with gems is one of my specialties.

Artisan jewelers pay tribute to this noble material with raw, meticulous and refined creations.

The style is taken care of with small touches and planning a few luxury accessories is an infallible method to enhance your outfit.

As if coming out of the forge, the metal is patinated, aged giving a unique effect.

A rough work of silver which here has an airy style reminiscent of the abrupt shapes of the cliffs.

To create this diamond ring in solid silver 925/1000 (12.4 grams) and gold 750/1000 (4.7 grams) I used the lost wax casting technique.

The tray measures 2.1 x 1.6 cm

Before becoming a jewel I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.