This ring is a unique work of art, created by a passionate craftsman.
Made from high quality solid silver, with a purity of 925/1000, this ring has a raw and authentic aesthetic that testifies to the know-how and creativity of its creator.
This ring in solid silver 925/1000 (8.7 grams)
Before becoming a jewel I sculpted it entirely in wax.
Set with an emerald with a deep green of a beautiful shine (0.10 carat).
I make a lot of rings as they come out of the forge, the metal is patinated, aged giving a raw effect.
A rough work of silver.
But here this piece where the silver is rarely shiny very little patinated highlights the emerald very well.
Set with an emerald, this ring in solid silver 925/1000 (9.3 grams) and Gold 750/1000 (2.9 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
Set with an emerald, this ring in solid 925/1000 silver (8.42 grams) and 750/1000 Gold (3.28 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
Set with an emerald, this ring in solid 925/1000 silver (9.45 grams) and 750/1000 Gold (2.35 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
Set with an emerald, this ring in solid silver 925/1000 (9.2 grams) and Gold 750/1000 (2.45 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
Set with an emerald, this ring in solid silver 925/1000 (8.33 grams) and Gold 750/1000 (2.68 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
This ring in solid 925/1000 silver (4.6 grams)
Set with a deep green emerald with beautiful brilliance (0.38 carat).
I make a lot of rings, this piece where the silver is patinated, deliberately aged the brilliant emerald giving it a unique effect reinforced by the patina of the metal.
Set with an emerald, this ring in solid silver 925/1000 (7.1 grams) and Gold 750/1000 (2.3 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
This ring in solid silver 925/1000 (7.8 grams)
Before becoming a jewel I sculpted it entirely in wax.
Set with an emerald with a deep green of a beautiful shine (0.08 carat).
I make a lot of rings as they come out of the forge, the metal is patinated, aged giving a raw effect.
A rough work of silver.
But here this piece where the silver is rarely shiny very little patinated highlights the emerald very well
Set with a ruby, this ring in solid silver 925/1000 (38.7 grams) and Gold 750/1000 (8.4 grams).
This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
The gold is melted on the silver like lava that would cover the walls of a volcano.
To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged voluntarily, the gold contrasts with the raw silver and the shine of the stone.
To create this ring in solid silver 925/1000 (19.3 grams) I used the lost wax casting technique.
The tray measures 2.3 x 0.7 cm with a simple appearance but with worked and harmonious shaping and finishes.
The silver is patinated, aged reinforcing the effect of the final hammering.
We can see that the metal has been brutalized, but the polishing gives it a soft shape with unique reflections.
I sculpted it entirely in wax using a saw as the only tool in order to melt it into silver.
Before applying the patina so that my work has even more relief, I hammered it.
