This ring is a unique work of art, created by a passionate craftsman.
Made from high quality solid silver, with a purity of 925/1000, this ring has a raw and authentic aesthetic that testifies to the know-how and creativity of its creator.
To create this ring set with an orange sapphire in solid silver 925/1000 (23.96 grams) I used the lost wax casting technique.
Before becoming a jewel I sculpted it entirely in wax in order to melt it in silver.
I then applied the patina so that my work has even more relief.
Designing a sterling silver and sapphire ring requires careful attention to the quality of the materials and the precision of the design.
I play on the textures, the finishes of the silver, and the incorporation of the sapphire to create pieces that reflect the personality and style of the wearer.
Whether it is a deep blue sapphire or a lighter shade, each stone is selected for its unique beauty, making each ring a work of art in its own right.
The silver ring adorned with a blue cabochon sapphire is a jewel that combines elegance and mystery.
Silver, a precious and luminous metal, offers a perfect setting to highlight the depth of the sapphire.
This precious stone, known for its captivating blue hues, is often chosen for its royal allure and its symbolism of wisdom and protection.
The choice of a cabochon sapphire, that is to say polished but not cut into facets, accentuates its natural appearance and its soft shine, offering a more modern and sober approach to jewelry.
This ring in solid silver 925/1000 (8.7 grams)
Before becoming a jewel I sculpted it entirely in wax.
Set with an emerald with a deep green of a beautiful shine (0.10 carat).
I make a lot of rings as they come out of the forge, the metal is patinated, aged giving a raw effect.
A rough work of silver.
But here this piece where the silver is rarely shiny very little patinated highlights the emerald very well.
Set with an emerald, this ring in solid silver 925/1000 (9.3 grams) and Gold 750/1000 (2.9 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
Set with an emerald, this ring in solid 925/1000 silver (8.42 grams) and 750/1000 Gold (3.28 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
Set with an emerald, this ring in solid 925/1000 silver (9.45 grams) and 750/1000 Gold (2.35 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
Set with an emerald, this ring in solid silver 925/1000 (9.2 grams) and Gold 750/1000 (2.45 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
Set with an emerald, this ring in solid silver 925/1000 (8.33 grams) and Gold 750/1000 (2.68 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
This ring in solid 925/1000 silver (4.6 grams)
Set with a deep green emerald with beautiful brilliance (0.38 carat).
I make a lot of rings, this piece where the silver is patinated, deliberately aged the brilliant emerald giving it a unique effect reinforced by the patina of the metal.
Set with an emerald, this ring in solid silver 925/1000 (7.1 grams) and Gold 750/1000 (2.3 grams).
This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
Gold is melted onto silver like lava covering the walls of a volcano.
To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.
