To create this ring in solid silver 925/1000 I used the technique of lost wax casting.
Before becoming a jewel I sculpted it entirely in order to cast it in silver.
I then applied the patina so that the work has even more relief.
To create this diamond ring (old size 0.48 carats) in solid silver 925/1000 (5.7 grams), gold 750/1000 (2.1 grams) I used the lost wax casting technique.
Before becoming a jewel I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.
To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.
I then applied the patina so that my work has even more relief.
This ring in solid silver 925/1000 (10.8 grams) is set with a brown diamond of a very beautiful shine (0.20 carat) VVS1 quality.
I make a lot of rings, this piece measures 2.5cmx1cm, the silver is patinated, aged voluntarily giving it a unique effect reinforced by its stone
This solid silver ring (10.1 grams) is set with a black diamond (0.30 carat) a gem with unusual characteristics.
Today, the main theory of researchers is that this diamond would come from a collision between our planet and an asteroid dating back hundreds of millions of years (2.6 to 3.8 billion years BC). The debris caused by the collision would have spread in the atmosphere and would have landed in Africa as well as in Brazil. This black gem is therefore distinguished from other diamonds whose origin is volcanic and makes us dream because of its genesis and its components.
The final rendering is unique the lines are light but marked by the work of the metal.
Set with a black diamond, this ring in solid silver 925/1000 (11.7 grams) and gold 750/1000 (2.9 grams).
This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
The gold is melted on the silver like lava that would cover the walls of a volcano.
To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the diamond and the raw aesthetics of the ring.
Set with an Opal (10.71 carats) this ring in solid silver 925/1000 (47.3 grams) and Gold 750/1000 (12.6 grams).
This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
The gold is melted on the silver like lava that would cover the walls of a volcano.
To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.
For the finish the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetics of the ring.
To create this ring in solid silver 925/1000 (16.8 grams) I used the lost wax casting technique.
There are 0.5 carats of black diamonds.
With simple appearances but worked and harmonious shaping.
This wide ring measures 1.2 cm, the silver is patinated, aged reinforcing the effect of the hammering.
We can see that the metal has been brutalized, but the polishing gives it a soft shape with unique reflections.
It is at the end that I apply the patina so that my work has even more relief.
Set with an Opal, this ring in solid silver 925/1000 (41.23 grams) and Gold 750/1000 (10.67 grams).
This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.
The gold is melted on the silver like lava that would cover the walls of a volcano.
To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.
For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetics of the ring.
