To create this ring in solid silver 925/1000 (43.10 grams) I used the lost wax casting technique.

The tray measures 2.7 x 1.7 cm

Before becoming a jewel I sculpted it entirely in wax in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Metalworking is one of my specialties.

Jewelers pay homage to this noble material with raw, meticulous and refined creations.

The style is taken care of with small touches and planning a few luxury accessories is an infallible method to enhance your outfit.

As if coming out of the forge, the metal is patinated, aged giving a unique effect.

A rough work of silver which here has a style reminiscent of the abrupt shapes of the cliffs.

Blackened silver and Australian opal ring from the famous Coober Pedy mine.

This stunning multi-coloured opal stone has reflections of absolutely every colour. It sparkles when you move it in the sunlight.

The discovery of opal in Australia in the late 1800s with its vibrant colours changed the world of gemstones. This stone became known as the 'Queen of Gems'.

Nestled amongst the high ridges covered in scrub and pebbles, it is here that eons ago nature hid the rarest jewel on earth, opal. Unlike other gemstones, no two opals are the same.

To create this ring in solid silver 925/1000 (25.6 grams) I used the lost wax casting technique.

The tray measures 2.3 x 1.7 cm

Before becoming a jewel I sculpted it entirely in wax in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Metalworking is one of my specialties.

Jewelers pay homage to this noble material with raw, meticulous and refined creations.

The style is taken care of with small touches and planning a few luxury accessories is an infallible method to enhance your outfit.

As if coming out of the forge, the metal is patinated, aged giving a unique effect.

A rough work of silver which here has a style reminiscent of the abrupt shapes of the cliffs.

To create this ring in solid silver 925/1000 (35.6 grams) I used the lost wax casting technique.

The tray measures 2.7 x 2.7 cm

Before becoming a jewel I sculpted it entirely in wax in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Metalworking is one of my specialties.

Jewelers pay homage to this noble material with raw, meticulous and refined creations.

Style is taken care of with small touches and planning a few luxury accessories is an infallible method to enhance your outfit.

As if coming out of the forge, the metal is patinated, aged giving a unique effect.

A rough work of silver which here has a style reminiscent of the abrupt shapes of the cliffs.

Set with a Turquoise this ring in solid silver 925/1000 (69.3 grams) and Gold 750/1000 (3.1 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetic of the ring.

Set with a Boulder Opal this ring in solid 925/1000 silver (51 grams) and 750/1000 Gold (9.7 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetic of the ring.

Set with an opal, this pendant in solid silver 925/1000 (10.2 grams) and Gold 750/1000 (3.85 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a piece of jewelry, I sculpted it entirely in wax using a scabbard as the only tool, each time with a different cutting angle. I created different layers in order to cast it in silver.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Blackened silver ring with Australian black opal from the famous Coober Pedy mine.

This stunning multi-coloured opal stone has reflections of absolutely every colour. It sparkles when you move it in the sunlight.

The discovery of opal in Australia in the late 1800s with its vibrant colours changed the world of gemstones. This stone became known as the 'Queen of Gems'.

Nestled amongst the high ridges covered in scrub and pebbles, it is here that eons ago nature hid the rarest jewel on earth, opal. Unlike other gemstones, no two opals are the same.

To create this ring in solid silver 925/1000 (24.5 grams) I used the lost wax casting technique.

The tray measures 2.3 x 1.7 cm

Before becoming a jewel I sculpted it entirely in wax in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Metalworking is one of my specialties.

Artisan jewelers pay tribute to this noble material with raw, meticulous and refined creations.

Style is taken care of with small touches and planning a few luxury accessories is an infallible method to enhance your outfit.

As if coming out of the forge, the metal is patinated, aged giving a unique effect.

A rough work of silver which here has a style reminiscent of the abrupt shapes of

Blackened silver and Australian opal ring from the famous Coober Pedy mine.

This stunning multi-coloured opal stone has reflections of absolutely every colour. It sparkles when you move it in the sunlight.

The discovery of opal in Australia in the late 1800s with its vibrant colours changed the world of gemstones. This stone became known as the 'Queen of Gems'.

Nestled amongst the high ridges covered in scrub and pebbles, it is here that eons ago nature hid the rarest jewel on earth, opal. Unlike other gemstones, no two opals are the same.

Set with an opal, this pendant in 925/1000 solid silver (20.42 grams) and 750/1000 gold (5.28 grams).

This silver piece ages or gold and shine giving it a unique raw effect reinforced by its stone and its shape.


Before becoming a piece of jewelry I sculpted it entirely in wax using a scabbard as the only tool, each time using a different cutting angle, I made different layers in order to cast it in silver.


The gold is melted on the silver like lava covering the walls of a volcano.

To achieve this effect the gold is heated to more than 1000° to merge with the silver.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid 925/1000 silver (16.3 grams) and 750/1000 Gold (2.5 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a piece of jewelry I sculpted it entirely in wax using a scabbard as the only tool, each time using a different cutting angle, I made different layers in order to cast it in silver.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.