Set with an opal, this ring in solid silver 925/1000 (5.2 grams) and gold 750/1000 (2.7 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetics of the ring.

To create this eroded, massive, raw ring set with 19 diamonds in solid silver 925/1000 (4.5 grams) and white gold 750/1000 (3.4 grams) I used the lost wax casting technique.

Before becoming a jewel I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to cast it in silver.

I then applied the patina so that my work has even more relief.

The sterling silver amethyst ring is more than just a piece of jewelry; it is a work of art, a designer treasure that combines the timeless elegance of silver with the mystical beauty of amethyst.

This combination is not only visually striking, but it also carries with it a wealth of meaning and symbolism.

Amethyst, with its captivating purple hues, is often associated with wisdom, clarity of mind, and serenity.

It is believed to promote inner tranquility and peace, making this ring a meaningful choice for those looking to bring a little calm into their hectic lives.

Ring in 925/1000 silver (8.5 grams) and 750/1000 gold (1.4 grams) folded the regularities of the "brutalized" metal stand out and are highlighted by the dark patina applied.

Anthony Barrouyer creates here a ring set with a triple-turn moonstone 0.9cm wide.

Héphaïstos Collection is a set of different models but where the same technique is used for each unique piece, rings with very marked and visible metalwork, raw, forged shapes, a blackened patina, with apparent roughness, double, triple, wide, hammered rings, in short a return to the first metalwork the "forge" style.

Set with an emerald, this ring in solid silver 925/1000 (9.3 grams) and Gold 750/1000 (2.9 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.

Set with an emerald, this ring in solid 925/1000 silver (8.42 grams) and 750/1000 Gold (3.28 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.

Set with an emerald, this ring in solid 925/1000 silver (9.45 grams) and 750/1000 Gold (2.35 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.

Set with an emerald, this ring in solid silver 925/1000 (9.2 grams) and Gold 750/1000 (2.45 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.

Set with an emerald, this ring in solid silver 925/1000 (8.33 grams) and Gold 750/1000 (2.68 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.

Set with an opal, this ring in solid silver 925/1000 (5.2 grams) and Gold 750/1000 (2.7 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the ring.

This ring in solid 925/1000 silver (4.6 grams)

Set with a deep green emerald with beautiful brilliance (0.38 carat).

I make a lot of rings, this piece where the silver is patinated, deliberately aged the brilliant emerald giving it a unique effect reinforced by the patina of the metal.

Set with an emerald, this ring in solid silver 925/1000 (7.1 grams) and Gold 750/1000 (2.3 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its brilliance, the unique effect is reinforced by the emerald and the raw aesthetic of the ring.