This ring in solid silver 925/1000 (7.8 grams)

Before becoming a jewel I sculpted it entirely in wax.

Set with an emerald with a deep green of a beautiful shine (0.08 carat).

I make a lot of rings as they come out of the forge, the metal is patinated, aged giving a raw effect.

A rough work of silver.

But here this piece where the silver is rarely shiny very little patinated highlights the emerald very well

Set with an Opal, this ring in solid silver 925/1000 (31.1 grams) and Gold 750/1000 (4.7 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetics of the ring.

Opal silver rings are an elegant and sophisticated choice for jewelry lovers.

Silver, a precious metal known for its subtle shine and strength, serves as the perfect base to showcase the unique beauty of opals.

These gemstones, prized for their fascinating play of color, can display a range of hues from deep blue, green, to orange and red, depending on the angle at which the light hits them.

This characteristic, known as opalescence, makes each opal a truly unique piece.

To create this ring in solid silver 925/1000 (14.9 grams) I used the lost wax casting technique.

The tray measures 2 cm x 2 cm and there is a diamond set of 0.37 carat.

Before becoming a jewel I sculpted it entirely in wax like many of my creations.

I then applied the black patina so that my work has even more relief.

To create this ring I used the lost wax casting technique.

The tray measures 2.5 x 2 cm set with a Turquoise Matrix.

It was a sacred stone for the Egyptians, Persians, Tibetans, Indians, Mayans, Aztecs and Incas of sky blue, blue green, apple green color when it is altered.

The "turquoise blue" shade is rare.

It is called Turquoise Matrix when the stone is furrowed with veins or brown, gray or black clouds.

Before becoming a jewel I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

This ring in solid silver 925/1000 (6.7 grams)

Gold 750/1000 (2.2 grams)

Set with a moonstone (1.75 carats).

I make a lot of rings, this piece where the silver is patinated, aged voluntarily the shiny gold giving it a unique effect reinforced by its stone and its shape.

To create this 0.31 carat brown diamond ring in solid 925/1000 silver (17.4 grams), 750/1000 gold (2.5 grams) I used the lost wax casting technique.

Before becoming a jeweler I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.

To achieve this effect, the gold is heated to over 1000° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

I then applied the patina so that my work has even more relief.

Set with a brown diamond, this ring in solid silver 925/1000 (12.6 grams) and Gold 750/1000 (2.3 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the diamond and the raw aesthetics of the ring.

To create this ring in 925/1000 silver (38.4 grams) and 750/1000 gold (5.6 grams) I used the lost wax casting technique.

The tray measures 2.5 x 1.2 cm with a simple appearance but with worked and harmonious shaping and finishes.

The silver is patinated, aged reinforcing the effect of the final hammering.

We can see that the metal has been brutalized, but the polishing gives it a soft shape with unique reflections.

I sculpted it entirely in wax using a saw as the only tool in order to melt it into silver.

Before applying the patina so that my work has even more relief, I hammered it.

To create this ring in solid silver 925/1000 (29.7 grams) I used the lost wax casting technique.

The tray measures 2.5 x 0.9 cm with a simple appearance but with worked and harmonious shaping and finishes.

The silver is patinated, aged reinforcing the effect of the final hammering.

We can see that the metal has been brutalized, but the polishing gives it a soft shape with unique reflections.

I sculpted it entirely in wax using a saw as the only tool in order to melt it into silver.

Before applying the patina so that my work has even more relief, I hammered it.

To create this 0.16 carat brown diamond ring in solid 925/1000 silver (4.8 grams), 750/1000 gold (2.6 grams) I used the lost wax casting technique.

Before becoming a jeweler I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.

To achieve this effect, the gold is heated to over 1000° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

I then applied the patina so that my work has even more relief.

Set with an Opal, this ring in solid silver 925/1000 (21.3 grams) and Gold 750/1000 (9.7 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetics of the ring.