To create this solid silver ring (27.3 grams) I used the lost wax casting technique.

Before becoming a jewel I sculpted it entirely in wax using as the only tool a saw with each time a different cutting angle, I made different layers in order to melt it in silver. a unique, raw work highlighted by the brilliance of the opal mainly.

I then applied the patina so that my work has even more relief.

The characteristic of the "Galaxy" opal from the Magdalena region is that it is always in its gangue of volcanic rock.

It presents many flashes of color, red, green, orange with each movement of the opal, beautiful iridescence illuminates the opal from the inside, an amazing spectacle !!

To create this solid silver ring (28.1 grams) I used the lost wax casting technique.

Before becoming a jewel I sculpted it entirely in wax using as the only tool a saw with each time a different cutting angle, I made different layers in order to melt it in silver. a unique, raw work highlighted by the brilliance of the opal mainly.

I then applied the patina so that my work has even more relief.

The characteristic of the "Galaxy" opal from the Magdalena region is that it is always in its gangue of volcanic rock.

It presents many flashes of color, red, green, orange with each movement of the opal, beautiful iridescence illuminates the opal from the inside, an amazing spectacle !!

To create this ring in solid silver 925/1000 (27.09 grams) I used the technique of lost wax casting.

Before becoming a jewel I sculpted it entirely in wax using as a single tool a saw using each time a different cutting angle, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Australian Opal 5.41 carats.

To create this ring in solid silver 925/1000 (39.6 grams) I used the lost wax casting technique. 2 cm wide and 3.65 carat opal

Before becoming a jewel I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Set with an opal, this ring in solid silver 925/1000 (5.2 grams) and gold 750/1000 (2.7 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetics of the ring.

Set with an opal, this ring in solid silver 925/1000 (5.2 grams) and Gold 750/1000 (2.7 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the ring.

Set with an Opal, this ring in solid silver 925/1000 (31.1 grams) and Gold 750/1000 (4.7 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetics of the ring.

Opal silver rings are an elegant and sophisticated choice for jewelry lovers.

Silver, a precious metal known for its subtle shine and strength, serves as the perfect base to showcase the unique beauty of opals.

These gemstones, prized for their fascinating play of color, can display a range of hues from deep blue, green, to orange and red, depending on the angle at which the light hits them.

This characteristic, known as opalescence, makes each opal a truly unique piece.

Set with an Opal, this ring in solid silver 925/1000 (21.3 grams) and Gold 750/1000 (9.7 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetics of the ring.

Set with an Opal (1.71 carats) this ring in solid silver 925/1000 (7.3 grams) and Gold 750/1000 (5.6 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetics of the ring.

To create this ring in solid silver 925/1000 I used the technique of lost wax casting.

Before becoming a jewel I sculpted it entirely in order to cast it in silver.

I then applied the patina so that the work has even more relief.

To create this ring in solid silver 925/1000 I used the technique of lost wax casting.

Before becoming a jewel I sculpted it entirely in order to cast it in silver.

I then applied the patina so that the work has even more relief.