Héphaïstos Collection Prestige

To create this ring in solid silver 925/1000 (43.10 grams) I used the lost wax casting technique.

The tray measures 2.7 x 1.7 cm

Before becoming a jewel I sculpted it entirely in wax in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Metalworking is one of my specialties.

Jewelers pay homage to this noble material with raw, meticulous and refined creations.

The style is taken care of with small touches and planning a few luxury accessories is an infallible method to enhance your outfit.

As if coming out of the forge, the metal is patinated, aged giving a unique effect.

A rough work of silver which here has a style reminiscent of the abrupt shapes of the cliffs.

Blackened silver and Australian opal ring from the famous Coober Pedy mine.

This stunning multi-coloured opal stone has reflections of absolutely every colour. It sparkles when you move it in the sunlight.

The discovery of opal in Australia in the late 1800s with its vibrant colours changed the world of gemstones. This stone became known as the 'Queen of Gems'.

Nestled amongst the high ridges covered in scrub and pebbles, it is here that eons ago nature hid the rarest jewel on earth, opal. Unlike other gemstones, no two opals are the same.

To create this ring in solid silver 925/1000 (25.6 grams) I used the lost wax casting technique.

The tray measures 2.3 x 1.7 cm

Before becoming a jewel I sculpted it entirely in wax in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Metalworking is one of my specialties.

Jewelers pay homage to this noble material with raw, meticulous and refined creations.

The style is taken care of with small touches and planning a few luxury accessories is an infallible method to enhance your outfit.

As if coming out of the forge, the metal is patinated, aged giving a unique effect.

A rough work of silver which here has a style reminiscent of the abrupt shapes of the cliffs.

To create this ring in solid silver 925/1000 (35.6 grams) I used the lost wax casting technique.

The tray measures 2.7 x 2.7 cm

Before becoming a jewel I sculpted it entirely in wax in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Metalworking is one of my specialties.

Jewelers pay homage to this noble material with raw, meticulous and refined creations.

Style is taken care of with small touches and planning a few luxury accessories is an infallible method to enhance your outfit.

As if coming out of the forge, the metal is patinated, aged giving a unique effect.

A rough work of silver which here has a style reminiscent of the abrupt shapes of the cliffs.

Set with a Boulder Opal this ring in solid 925/1000 silver (51 grams) and 750/1000 Gold (9.7 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the raw aesthetic of the ring.

Blackened silver ring with Australian black opal from the famous Coober Pedy mine.

This stunning multi-coloured opal stone has reflections of absolutely every colour. It sparkles when you move it in the sunlight.

The discovery of opal in Australia in the late 1800s with its vibrant colours changed the world of gemstones. This stone became known as the 'Queen of Gems'.

Nestled amongst the high ridges covered in scrub and pebbles, it is here that eons ago nature hid the rarest jewel on earth, opal. Unlike other gemstones, no two opals are the same.

To create this ring in solid silver 925/1000 (24.5 grams) I used the lost wax casting technique.

The tray measures 2.3 x 1.7 cm

Before becoming a jewel I sculpted it entirely in wax in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Metalworking is one of my specialties.

Artisan jewelers pay tribute to this noble material with raw, meticulous and refined creations.

Style is taken care of with small touches and planning a few luxury accessories is an infallible method to enhance your outfit.

As if coming out of the forge, the metal is patinated, aged giving a unique effect.

A rough work of silver which here has a style reminiscent of the abrupt shapes of

Blackened silver and Australian opal ring from the famous Coober Pedy mine.

This stunning multi-coloured opal stone has reflections of absolutely every colour. It sparkles when you move it in the sunlight.

The discovery of opal in Australia in the late 1800s with its vibrant colours changed the world of gemstones. This stone became known as the 'Queen of Gems'.

Nestled amongst the high ridges covered in scrub and pebbles, it is here that eons ago nature hid the rarest jewel on earth, opal. Unlike other gemstones, no two opals are the same.

Here is a small series of rings available in several hammering styles.

They were created in the origami style.

At the start of my creations I stretch the metal to form an oval plate, then I fold the two sides to shape the edges, finally I bend the resulting strip to make a ring.

For the finishes, a beautiful hammered and an aged patina highlighting the hollows and roughness of these jewels.

This 925/1000 silver ring (14.2 grams) was born from this idea. An idea that allowed me to create a simple, light 1.7 cm wide ring despite its massive appearance that I think will be perfect for those who do not like heavy signet rings but who appreciate rings that are imposing.

Here is a small series of rings available in several hammering styles. They were created in the origami style.

At the start of my creations I stretch the metal to form an oval plate, then I fold the two sides to shape the edges, finally I bend the resulting strip to make a ring.

For the finishes, a beautiful hammered and an aged patina highlighting the hollows and roughness of these jewels.

This 925/1000 silver ring (15.8 grams) was born from this idea. An idea that allowed me to create a simple, light 1.7 cm wide ring despite its massive appearance that I think will be perfect for those who do not like signet rings that are too heavy but who appreciate rings that are imposing.

To create this ring in solid silver 925/1000 (34.1 grams) and Opal (2.2 carats)

Before becoming a jewel I sculpted it entirely in wax using as only tool a saw and a crack cutter with each time a different cutting angle, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

Ring in 925/1000 silver (37.6 grams) and Opal (1.55 carats)

Before becoming a jewel, I sculpted it entirely in wax using only a saw and a crack cutter with a different cutting angle each time, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.