An old-cut diamond (2.02 carats) highlights this creation in solid silver 925/1000 (29.4 grams).

In the same creative vein as the emerald ring, this unique piece measures 2.5cm at the level of the plate.

As if coming out of the forge, the metal is patinated, aged giving a unique, raw effect highlighted by the brilliance of the diamond.

A rough work of silver which here has an airy style reminiscent of the abrupt shapes of the cliffs.

To create this ring in solid silver 925/1000 (13.6 grams) I used the technique of lost wax casting. diams 0.10 carat

Before becoming a jewel I sculpted it entirely in wax using as a single tool a saw using each time a different cutting angle, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

To create this ring in solid silver 925/1000 (17 grams), gold 750/1000 and diamond I used the technique of lost wax casting.

Before becoming a jewel I sculpted it entirely in wax using as only tool a saw using each time a different cutting angle, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

This solid silver ring (18.7 grams) is set with a black diamond (1.30 carats) a gem with unusual characteristics.

Today, the main theory of researchers is that this diamond would come from a collision between our planet and an asteroid dating back hundreds of millions of years (2.6 to 3.8 billion years BC).

The debris caused by the collision would have spread in the atmosphere and would have landed in Africa as well as in Brazil.

This black gem is therefore distinguished from other diamonds whose origin is volcanic and makes us dream because of its genesis and its components.

The final rendering is unique, the lines are light but marked by the work of the metal.

Set with a diamond, this ring in solid silver 925/1000 (11.7 grams) and Gold 750/1000 (2.9 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the diamond and the raw aesthetics of the ring.

To create this 0.10 carat diamond ring in solid 925/1000 silver (7.34 grams), 750/1000 gold (2.15 grams) I used the lost wax casting technique.

Before becoming a jewel I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.

To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

I then applied the patina so that my work has even more relief.

To create this eroded, massive, raw ring set with 11 diamonds in solid silver 925/1000 (6.5 grams) and gold 750/1000 (1.7 grams) I used the lost wax casting technique.

Before becoming a jewel I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.

I then applied the patina so that my work has even more relief.

To create this eroded, massive, raw ring set with 19 diamonds in solid silver 925/1000 (4.5 grams) and white gold 750/1000 (3.4 grams) I used the lost wax casting technique.

Before becoming a jewel I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to cast it in silver.

I then applied the patina so that my work has even more relief.

To create this ring in solid silver 925/1000 (14.9 grams) I used the lost wax casting technique.

The tray measures 2 cm x 2 cm and there is a diamond set of 0.37 carat.

Before becoming a jewel I sculpted it entirely in wax like many of my creations.

I then applied the black patina so that my work has even more relief.

To create this 0.31 carat brown diamond ring in solid 925/1000 silver (17.4 grams), 750/1000 gold (2.5 grams) I used the lost wax casting technique.

Before becoming a jeweler I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.

To achieve this effect, the gold is heated to over 1000° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

I then applied the patina so that my work has even more relief.

Set with a brown diamond, this ring in solid silver 925/1000 (12.6 grams) and Gold 750/1000 (2.3 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the diamond and the raw aesthetics of the ring.

To create this ring in 925/1000 silver (38.4 grams) and 750/1000 gold (5.6 grams) I used the lost wax casting technique.

The tray measures 2.5 x 1.2 cm with a simple appearance but with worked and harmonious shaping and finishes.

The silver is patinated, aged reinforcing the effect of the final hammering.

We can see that the metal has been brutalized, but the polishing gives it a soft shape with unique reflections.

I sculpted it entirely in wax using a saw as the only tool in order to melt it into silver.

Before applying the patina so that my work has even more relief, I hammered it.