Geologic Collection

Set with an opal, this pendant in solid silver 925/1000 (20.42 grams) and gold 750/1000 (5.28 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a jewel, I sculpted it entirely in wax using as the only tool a slab, using each time a different cutting angle, I made different layers in order to melt it in silver.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (10.2 grams) and Gold 750/1000 (3.85 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a piece of jewelry, I sculpted it entirely in wax using a scabbard as the only tool, each time with a different cutting angle. I created different layers in order to cast it in silver.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid 925/1000 silver (16.3 grams) and 750/1000 Gold (2.5 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a piece of jewelry I sculpted it entirely in wax using a scabbard as the only tool, each time using a different cutting angle, I made different layers in order to cast it in silver.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (9.2 grams) and Gold 750/1000 (3.7 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with a sapphire this pendant and mounted on a 750/1000 yellow gold forcat chain (6.7 grams) this pendant in solid silver 925/1000 (14.2 grams) and 750/1000 gold (2.5 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the sapphire and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (10.2 grams) and gold 750/1000 (3.85 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a jewel I sculpted it entirely in wax using as the only tool a slab with each time a different cutting angle, I made different layers in order to melt it in silver.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver.

For the finish the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (20.42 grams) and gold 750/1000 (5.28 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a jewel, I sculpted it entirely in wax using as the only tool a slab, using each time a different cutting angle, I made different layers in order to melt it in silver.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (12.3 grams) and gold 750/1000 (4.75 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a jewel, I sculpted it entirely in wax using as the only tool a slab, using each time a different cutting angle, I made different layers in order to melt it in silver.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an emerald, this pendant in solid silver 925/1000 (18.2 grams) and gold 750/1000 (3.7 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the emerald and the raw aesthetic of the pendant.