Croix et Médailles

In mythology the Eagle held lightning in its talons, it was the celestial bird, the messenger of Jupiter.

The Romans ended up associating the god Jupiter with his Greek equivalent Zeus.

In the Metamorphoses, Ovid tells of Jupiter's rise to power. Victorious against Saturn, he now reigns over heaven and earth. Ovid calls this new period "The Silver Age".

The art of jewelry dates back to the most ancient times of humanity.

The history of jewelry begins in prehistory, when people appreciated adorning themselves with objects in which they found a certain beauty.

We find adornments in the primitive art of the Americas or Oceania.

From antiquity to the end of the Middle Ages, it was goldsmiths who made and sold jewelry.

From the East to the West, we have always cultivated the pleasure, even the passion, of wearing adornments (rings, earrings, brooches, necklaces, bracelets, etc.). They are made of metal, iron, zinc, bronze, silver. Jade, agate, malachite, lapis lazuli, etc. are chiseled.

The art of jewelry dates back to the most ancient times of humanity.

The history of jewelry begins in prehistory, when people appreciated adorning themselves with objects in which they found a certain beauty.

We find adornments in the primitive art of the Americas or Oceania.

From antiquity to the end of the Middle Ages, it was goldsmiths who made and sold jewelry.

From the East to the West, we have always cultivated the pleasure, even the passion, of wearing adornments (rings, earrings, brooches, necklaces, bracelets, etc.). They are made of metal, iron, zinc, bronze, silver. Jade, agate, malachite, lapis lazuli, etc. are chiseled.

The art of jewelry dates back to the most ancient times of humanity.

The history of jewelry begins in prehistory, when people appreciated adorning themselves with objects in which they found a certain beauty.

We find adornments in the primitive art of the Americas or Oceania.

From antiquity to the end of the Middle Ages, it was goldsmiths who made and sold jewelry.

From the East to the West, we have always cultivated the pleasure, even the passion, of wearing adornments (rings, earrings, brooches, necklaces, bracelets, etc.). They are made of metal, iron, zinc, bronze, silver. Jade, agate, malachite, lapis lazuli, etc. are chiseled.

Set with an opal, this pendant in solid silver 925/1000 (20.42 grams) and gold 750/1000 (5.28 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a jewel, I sculpted it entirely in wax using as the only tool a slab, using each time a different cutting angle, I made different layers in order to melt it in silver.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (10.2 grams) and Gold 750/1000 (3.85 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a piece of jewelry, I sculpted it entirely in wax using a scabbard as the only tool, each time with a different cutting angle. I created different layers in order to cast it in silver.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid 925/1000 silver (16.3 grams) and 750/1000 Gold (2.5 grams).

This piece in silver or gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a piece of jewelry I sculpted it entirely in wax using a scabbard as the only tool, each time using a different cutting angle, I made different layers in order to cast it in silver.

Gold is melted onto silver like lava covering the walls of a volcano.

To achieve this effect, gold is heated to more than 1000° to fuse with silver.

For the finish, the silver is patinated, aged deliberately, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (9.2 grams) and Gold 750/1000 (3.7 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (10.2 grams) and gold 750/1000 (3.85 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a jewel I sculpted it entirely in wax using as the only tool a slab with each time a different cutting angle, I made different layers in order to melt it in silver.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver.

For the finish the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (20.42 grams) and gold 750/1000 (5.28 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a jewel, I sculpted it entirely in wax using as the only tool a slab, using each time a different cutting angle, I made different layers in order to melt it in silver.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.

Set with an opal, this pendant in solid silver 925/1000 (12.3 grams) and gold 750/1000 (4.75 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

Before becoming a jewel, I sculpted it entirely in wax using as the only tool a slab, using each time a different cutting angle, I made different layers in order to melt it in silver.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the opal and the raw aesthetic of the pendant.