Set with a sapphire, this ring in solid silver 925/1000 (9.7 grams) and Gold 750/1000 (2.5 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the sapphire and the raw aesthetics of the ring.

Set with a sapphire, this ring in solid silver 925/1000 (7.8 grams) and Gold 750/1000 (2.3 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the sapphire and the raw aesthetics of the ring.

Set with an emerald, this ring in solid silver 925/1000 (11.3 grams) and gold 750/1000 (3.5 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine.

Set with a ruby, this ring in solid silver 925/1000 (5.8 grams) and Gold 750/1000 (2.4 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine.

Set with a ruby, this ring in solid silver 925/1000 (6.8 grams) and Gold 750/1000 (2.4 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine.

This ring in solid silver 925/1000 (7.1 grams)

Gold 750/1000 (2.1 grams)

Set with an emerald with a deep green of a beautiful shine (0.10 carat).

I make a lot of rings, this piece where the silver is patinated, aged voluntarily the shiny gold giving it a unique effect reinforced by its stone and its shape.

Set with a sapphire, this ring in solid silver 925/1000 (6.3 grams) and Gold 750/1000 (2.1 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

To create this ring in solid silver 925/1000 (17.8 grams) I used the lost wax casting technique.

The tray measures 2.5 x 0.7 cm with a simple appearance but with worked and harmonious shaping and finishes.

The silver is patinated, aged reinforcing the effect of the final hammering.

We can see that the metal has been brutalized, but the polishing gives it a soft shape with unique reflections.

I sculpted it entirely in wax using a saw as the only tool in order to melt it into silver.

Before applying the patina so that my work has even more relief, I hammered it.

Set with a sapphire, this ring in solid silver 925/1000 (9.4 grams) and Gold 750/1000 (1.9 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the sapphire and the raw aesthetics of the ring.

Set with an emerald, this ring in solid silver 925/1000 (21.5 grams) and gold 750/1000 (3.2 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the emerald and the raw aesthetics of the ring.

To create this ring in solid silver 925/1000 (40 grams) I used the lost wax casting technique.

The tray measures 2.5 x 1.2 cm with a simple appearance but with worked and harmonious shaping and finishes.

The silver is patinated, aged reinforcing the effect of the final hammering.

We can see that the metal has been brutalized, but the polishing gives it a soft shape with unique reflections.

I sculpted it entirely in wax using a saw as the only tool in order to melt it into silver.

Before applying the patina so that my work has even more relief, I hammered it.

To create this ring in solid silver 925/1000 (20.4 grams) I used the lost wax casting technique.

The tray measures 1.6 x 1.2 cm with a simple appearance but with worked and harmonious shaping and finishes.

The silver is patinated, aged reinforcing the effect of the final hammering.

We can see that the metal has been brutalized, but the polishing gives it a soft shape with unique reflections.

I sculpted it entirely in wax using a saw as the only tool in order to melt it into silver.

Before applying the patina so that my work has even more relief, I hammered it.