This piece in silver ages or gold and shines giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

Set with a ruby, this ring in solid silver 925/1000 (6.8 grams) and Gold 750/1000 (2.4 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine.

Set with a sapphire, this ring in solid silver 925/1000 (6.3 grams) and Gold 750/1000 (2.1 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

To create this diamond ring (old size 0.48 carats) in solid silver 925/1000 (5.7 grams), gold 750/1000 (2.1 grams) I used the lost wax casting technique.

Before becoming a jewel I sculpted it entirely in wax using a saw as the only tool, using a different cutting angle each time, I made different layers in order to melt it in silver.

To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

I then applied the patina so that my work has even more relief.

Set with a sapphire, this ring in solid silver 925/1000 (9.4 grams) and Gold 750/1000 (1.9 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the sapphire and the raw aesthetics of the ring.

Set with an emerald, this ring in solid silver 925/1000 (21.5 grams) and gold 750/1000 (3.2 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the emerald and the raw aesthetics of the ring.

Set with a black diamond, this ring in solid silver 925/1000 (11.7 grams) and gold 750/1000 (2.9 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the diamond and the raw aesthetics of the ring.

Set with an opal, this ring in solid silver 925/1000 (10.1 grams) and Gold 750/1000 (2.6 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the emerald and the raw aesthetics of the ring.

Set with an emerald, this ring in solid silver 925/1000 (18.6 grams) and gold 750/1000 (6.1 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the emerald and the raw aesthetics of the ring.

Set with an emerald, this ring in solid silver 925/1000 (24.1 grams) and gold 750/1000 (6.2 grams).

This piece in silver ages or the gold is shiny giving it a unique raw effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect, the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives a surprising result each time.

For the finish, the silver is patinated, aged voluntarily, the gold contrasts with its shine, the unique effect is reinforced by the emerald and the raw aesthetics of the ring.

Set with an Onyx this ring in solid silver 925/1000 (7.2 grams) and Gold 750/1000 (2.3 grams).

This piece where the silver is patinated, aged voluntarily the shiny gold giving it a unique effect reinforced by its stone and its shape.

The gold is melted on the silver like lava that would cover the walls of a volcano.

To achieve this effect the gold is heated to more than 1000 ° to fuse with the silver, I particularly like this technique which gives each time a surprising result.

For the finish the silver is patinated, aged voluntarily, the gold contrasts by its brilliance, the unique effect is reinforced by the raw aesthetics of the ring.

This ring in solid silver 925/1000 (7.1 grams)

Gold 750/1000 (2.1 grams)

Set with an emerald with a deep green of a beautiful shine (0.10 carat).

I make a lot of rings, this piece where the silver is patinated, aged voluntarily the shiny gold giving it a unique effect reinforced by its stone and its shape.